The famous Turin rain continued to cause disputes-and they did not see the last stroke. Now there is another version of this monument, it will obviously not convince those who follow other views.


For centuries, the good -sized Christians flocked to the Italian city of Torinia to prove one of the most famous monuments in the world, reminding Daily Mail.
Turin rain cover is a piece of 14 -inch (about 4.2 m) 3 feet of 7 -inch (COOLO 0.91 m), on which an image of a person in front and back cannot be distinguished. Many people believe that this image was created when Jesus was wrapped in a respectable raincoat right after his death on the cross 2000 years ago.
However, according to a new study, Torino raincoats were never assigned to the body of Jesus, the Daily Mail wrote. 3D designer and Brazilian researcher Cicero Moraes, an expert in rebuilding historians, saying that the shroud is nothing more than a “Christian art masterpiece”.
Moraes has used digital model software to study how to tighten the human body compared to low flat sculptures. These results, published on another day in Archeometry magazine, shows that the typical model of shroud can only be created by sculptor.
In his article, Moraes wrote: “The image on the raincoat is more suitable for the trust of art than the direct imprint of the human body.”
To understand how the image on the Turin raincoat can be created, Moraes has created two digital 3D sculptures, Daily Mail continues. The first is described a whole body, and on the second work – a flat sculpture, called a liberation.
Using different 3D model tools, Cicero Moraes has digested fabric into these two sculptures and is measured, in which fabric is exposed to materials. Moraes then compared the remaining images on virtual fabric with the image of the Turin raincoat, taken in 1931. Meanwhile, the image was created in a hooked cloth on a person that seemed wide and distorted.
Moraes said that this was due to the “Agamemnon mask effect” named, named after an unusually wide posthumous mask found in a tomb in Mycenae in Greece. When you are trying to project a three -dimensional surface, such as a human face, such as a flat surface, on a piece of cloth, the result is extremely distorted, the Daily Mail explains. Imagine that you cover your face and press it into a paper cloth. The remaining images on the napkin will not be the same as your portrait, but it will look tight and deformed.
For this reason, Moraes believes that the images on the torino raincoat cannot get by imposing it on Jesus' body.
Moraes said in an interview with Live Science: “The image on the Turin raincoat is more suitable for the original matrix.
The first article mentioned The Turin Raincoat dated from the 14th century, and the monument was almost immediately charged with fake, Daily Mail wrote.
Dating modern radiocarbon, the age measurement method of natural materials using radioactive carbon isotopes, made in 1989, allows us to determine that the cloak is created between 1260 to 1390 years in our era.
In this section of the Middle Ages, the image of Bas -Relief of religious characters is an extremely popular jewelry of structures such as tombstones.
According to Moraes, this significantly increases the possibility that the cloak is created as a work of art in the burial rituals of the Middle Ages and then began to be considered a real monument.
Although there are statements that ancient monuments may be fake, many people still say that Torino raincoats are truly a funeral Savan of Jesus, the Daily Mail declared.
Last year, Professor Liberato De Caro, Catholic was convinced and deacon of his local church, said he had a large amount of evidence, confirming the authenticity of the shroud.
The latest analysis of Professor De Caro, made in 2022, shows that the cloak can actually have a dating for Jesus' death with the help of the new X -Ray method.
However, the method used by researchers is completely unreliable and created by Professor De Caro special to prove that the shroud is a genuine antiques.
Despite the fact that their results were widely published, even the Sindonology Center in Torino, an organization involved in evidence of the authenticity of raincoats, calling people to be careful about these conclusions.
Similarly, in the analysis announced last year, the shrouded cloth samples made by using tape in 1978 were studied by modern microscopic methods. This study was conducted by an engineer from Paduan University in Italy, showing small blood particles, showing damage to organ, injury, disease and radiation.
The trace of creatine, entering the blood, when a person has muscle disorders or any injury, is found in the Savana model.
However, the forensic medical examination shows that the “blood spots” on the shrouding cloth are not corresponding to the fact that someone is lying and can only be one person standing. This does not correspond to the description of the Bible in which Jesus is wrapped in a shroud after he is deleted from the cross, the daily notes.
In the same way, scientists wonder if blood is part of the original shroud.